Musica: Cuba
Dr. James Hayes-Bohanan, Geographer |
In January 2003, I had the rare privilege of spending 10 days with students and colleagues in Cuba -- the only country in the world that American citizens are ordinarily prohibited from visiting. Because of 40 years of rhetoric and isolation, Cubanos and Norteamericanos are strangers and enemies, ignorant of each other. Myths and misimpressions abound. I am not a great dancer, but I am enthusiastic, and this brought out the best in our Cuban hosts, who truly love music and love sharing their rich tradition of dance and music. By the end of the trip, most of the people in our group were dancing and drumming almost constantly. And smiling! |
Buena
Vista Social Club Buena Vista Social Club This album and the documentary film of the same name have done much to familiarize a generation of North Americans with Cuban son -- a musical form that was once well known but that was at risk of disappearing, as many of its most important artists were aging and dying in obscurity. Ry Cooder risked fines and arrest (by U.S. authorities) to bring their music to a broad audience, and has since brought some of the musicians to perform in New York City. As Cuba turns increasingly toward tourism as an economic strategy, musicians in the most touristy spots tend to focus a little too narrowly on the music from this CD. Fortunately, I never tired of "Chan Chan," and it is easy to get a few block away from the main hotels and clubs to hear a much richer variety. |
|
Mambo
Kings The sound track of this film about Cuban immigrants in New York includes many of the standards of mambo and cha-cha. The song "Guantanamera" is the most overplayed song in Havana these days, and our group decided that we were tired of it by the third day! |
Dancing
With the Enemy "La Guarapachanga" is one of many dance standards on this collection from Luaka Bop (see below), an early effort to produce Cuban music for a U.S. audience. The title of the CD refers to the Trading with the Enemy Act, which prevents U.S. citizens from buying anything from Cuba. After forty years, this law will bring Castro to his knees ... any day now! |
|
Orishas Emigrante Orishas is part of a growing number of Latin American musicans working in Paris. Theis group of emigres is named for the orishas, which are deities of the synchretic religious traditions of Cuba, Brazil, and other places where Yoruba people were brought in bondage. (See my Cuba page for more on this tradition.) |
Iroso Obba En Callejon de Hamel |
|
|
This is
a CD that is -- as far as I know -- not available commercially. Hamel
is
a famous alley in Havana, named for a Dutch muralist who has covered
most
of the walls with fantastic art. It is an active Santaria community,
with
a variety of altars, curious little shops, music, and active
streetlife.
When we first arrived in the alley, many of the people in our group
were
clinging to me, because they found it a bit scary. After a half hour,
we
were all reluctant to leave. We met members of the rumba band Iroso
Obba,
and learned that they were playing in a local (not-tourist) club on the
Malecon that very evening. We enjoyed great music and dancing with a
mostly
Cuban audience. |
|
Johny Ventura El Amoi no Mata Sin Desperdicio |
|
Harry
Belfaonte at Carnegie Hall Day O Cu Cu Ru Cu Cu Paloma |
|
Skanatra The Coffee Song |
|
|
Tish Hinojosa Taos to Tennessee Amanecer |
Feel free
to suggest new content for this page, especially from Latin American
countries other than Brazil, Mexico, and Cuba: jhayesboh@bridgew.edu Go to my Environmental Geography home page Go to my Latin American links page Go to the Latin American and Caribbean Studies page Go to the International Section of my County Map Page |
Note to educators: This web site is
a supplement to live presentations that I have enjoy presenting for
college audiences, teacher training, and K-12 assemblies. Please
contact me to discuss the possibilities of a presentation at your
school, conference, or university. My collection of resources is much
larger than that presented here; I can customize a presentation to suit
your group's needs. Dr. James Hayes-Bohanan jhayesboh@bridgew.edu 508-531-2118 |