|
New Technologies in the Visual Arts 2006 Day-by-day
Syllabus |
|
Unless
otherwise noted, the Digital Group of 12 participants will meet with
Prof. Gary Stanton in Room 202 of the Art Center.
This lab is equipped with 16 Macintosh computers (G3) and 2
PC’s, 3 scanners, and two color laser printers.
The software that participants will be using is Adobe Photoshop 7
and all computers are connected to the Internet. The
Printmaking Group of 12 participants will meet with Prof. Joan Hausrath
in Room 104 of the Art Center. The
print studio is equipped with 2 etching presses and a Canon Image Runner
photocopier. A full-time
tech assistant will be available during the meeting sessions and
participants will have access to the lab and studio in the evenings and
on weekends to continue their work independently. |
|
Monday,
July 10 (Hausrath,
Stanton) ·
9
- noon: All Participants: Room 104
Pretest and
Pre-Portfolio Review
Presentation: Introduction and Overview of Institute and
Assignments
Discussion: Photographic property rights. Speaker:
David Spatt, Esq. Room 202 Readings
from the World Intellectual Property Organization (http://www.wipo.org/)
and "Intellectual Property Rights, Digital Images and the National
Information Infrastructure," by Robbin Murphy. .. Field, Thomas G. Jr. Franklin Pierce Law
Center. “Copyright in
Visual Arts,” http://www.fplc.edu/copyVis.htm
1
- 4pm: Digital Imaging
Group: Introduction to scanning, file management, and adjustment of digital
images. Lecture, demo, hands-on. Reading:
Reference Text: Quik-start Guide to Photoshop 7 Visual Arts Standards: 1.6,1.10, 1.14, ·
1
- 4pm: Printmaking
Group:
Introduction to traditional lithography and image making for
Pronto plates utilizing direct methods (drawing and painting) combined
with photographic images printed from a photocopier (photomontage.)
Lecture, demo, hands-on. Reading:
Roberts,
George F. Polyester Plate Lithography, Writers Press, Inc. Technical manual for working with polyester
plates. Visual
Arts Standards: 1.6, 1.14 |
|
Tuesday,
July 11 ·
9
- noon, 1 - 3pm: Digital
Group:
Introduction to photo manipulation and printing on Macintosh computers
with Adobe Photoshop software. Begin
work on portfolio of images related thematically. Lecture, demo,
hands-on. Visual
Arts Standards 1.6, 1.10, 1.14, 1,11 ·
9
- noon, 1 - 3pm: Printmaking
Group: Printing
Pronto Plates: Introduction to the etching and litho presses, papers,
printing procedures using black ink and to the safe and efficient
clean-up and maintenance of the print studio. Begin work on portfolio of
images related thematically. Lecture, demo, hands-on. ·
3
– 4pm Both Groups: VES
training of VHD and Forum Con’t:
July 6 Reading:
"Health and Safety for Printmakers," by Monona Rossol.
Howard, Keith, Non-Toxic
Intaglio Printmaking, (Alberta, Ca.: Printmaking Resources, 1998,)
pp. 230-232. Visual
Arts Standards: 1.6,1.10, 1.14, 1.15,11.1 |
|
Wednesday, July 12
Visual
Arts Standards: 5.10,
Connection Strand 7
|
|
Friday, July 14 ·
9
- 10: All Participants:
Room 202 -
Slide Lecture, Prof. Joan Hausrath: "Hannah Hoch, the Dadaists, and
David Hockney as manipulators of photographic images in art." Readings:
Lee, Gregory B. “Photomontage
– Dada,” http://www.hku.hk/complit/staff/lee_dada.html.
Boswell,
Peter. "Hannah Höch:
Through the Looking Glass," The
Photomontages of Hannah Höch, (Minneapolis, Walker Art Center,
1997.) pp. 7-23. Hockney, David. "Seeing the New," That's
the Way I See It, (Chronicle Books, 1996) pp 87 –125. Connections
Standard 9.9 ·
10am
– noon, 1 – 3 pm: Digital Group: Continue
manipulating and printing digital images.
Lecture, demo, hands-on. ·
10am
– noon, 1 – 3pm: Printmaking Group:.
Demonstration of two color printing and registration.
Continue creating and printing lithographic images. Lecture,
demo, hands-on. ·
3
- 4pm: Both Groups.
Group Critiques of studio work. Discussion. Visual
Arts Standard 5.10 |
|
Monday, July 17 ·
9
- 10am: All Participants.
Room 202, Slide Lecture by Prof. Gary Stanton: History of
manipulated photographic images by photographers including the “Pictorialists,”
Henry Peach Robinson and Jerry Uelsmann. Reading:
Stieglitz, Mary. “Photography/Digital Imaging: Comparative
Histories,” Society for Photographic Education, Exposure,
Vol. 30.3/4. Newhall,
Beaumont. "Pictorial
Effect," The History of Photography (NY: Museum of Modern Art,
1964) pp 59 –65. Kinzer, H.M. "Post-visualization," by
Ueslmann, Jerry N., Shoot Now, Think Later, Popular Photography, Vol 58, No.5, May
1966, pp 65-101. Karabinis, Paul. “Jerry
Uelsmann,” http://www.uelsmann.com
Coleman, A.D. “Mutant
Media: Photomontage and Photocollage,” Camera & Darkroom,”
March 1993, pp. 19 – 20. About Photography, “Early Photomontage”
and “Making Photomontages” http://www.photography.about.com.htm Connections
Standard 9.9 ·
10
- noon, 1 – 4 pm: Digital
Group: Continue manipulating and printing digital images.
Lecture, demo, hands-on. ·
10
- noon, 1- 4 pm: Printmaking
Group: Continue
creating printed images. Lecture, demo, hands-on. |
|
Tuesday,
July 18
|
|
Wednesday,
July 19 9 - noon, 1 - 4: All Participants. Room 202, Barbara Haber, Lecture and discussion. Writing about manipulated photographs and lesson planning.
|
|
Friday, July 21
|
|
Tuesday,
August 28
- All Participants
|
|
FOLLOW-UP
MEETINGS |
|
|
· Saturday, November 18
·
1
– 3 Digital Group Mount
digital prints ·
1
– 3 Printmaking Group Make
web pages for on-line gallery of participants’
portfolios. ·
Participants
will submit reports on student outcomes as revealed by student
assessments of their projects.
|